Design
Lead Product Designer · Samsung SRIB · Bengaluru

Crafting AI experiences
people actually feel.

Six years shipping first-of-kind camera and photo features on Galaxy — from a blank canvas to two billion interactions.

View selected work
2B+
Interactions on Fun Mode
1st
Generative photo editing on any phone
6
Device form factors shipped across
5→9
Five generations of One UI Camera

A designer who grew up in Fine Arts.

I think about how things look and how they feel to use — and I don't think those are separate questions.

I'm a Lead Product Designer at Samsung R&D Institute India, where I've spent six years making AI feel natural on a phone. My background is in Fine Arts (BFA, Delhi University) and Interaction Design (M.Des, IIITDM Jabalpur) — which gives me an unusual lens: I care as much about the aesthetic quality of a moment as the usability of it.

The work I'm most proud of sits at a hard intersection — where cutting-edge AI capability meets the everyday person who just wants a beautiful photo. I've shipped Photo Assist (the first generative photo editing on any smartphone), Instruction-Based Editing, AI Portrait styling, and a draw-to-generate camera experience. I was promoted to Lead in 2024 and was one of a select few Bengaluru designers chosen for an on-site residency at Samsung UX HQ in Seoul.

Before Samsung, I designed B2B enterprise products at Infosys for BHP and Deutsche Bank — where I learned how design thinking can unlock commercial value, not just better UX. And before that, internships at Cafe Coffee Day, Kamalan and Faagio taught me the humbling basics of designing for real users with real constraints.

What I bring
Product DesignVisual DesignAI FeaturesDesign SystemsMobile UXAccessibilityMulti-form-factorUsability TestingDev HandoffCross-cultural ResearchFigmaProtoPieAdobe Creative Suite

Selected
Work

Six projects + two prior roles · 2018–2026
2024
Shipped
Samsung SRIB

Photo Assist — Generative Photo Editing +

The first commercial generative photo-editing feature on any smartphone, launching on Galaxy Z Flip6 and Fold7. Designed the full experience — discovery, application, preview and saving of AI-generated edits.

FirstOn any phone
Flip6 · Fold7Launch devices
Employee of YearSamsung award
The Challenge

Generative AI photo editing didn't exist on any smartphone. The challenge wasn't just building a feature — it was defining what this category should feel like on a phone. How do you make a complex AI capability feel effortless in a tool people use every day?

The stakes were high: this would be Samsung's flagship AI differentiator for the Galaxy Z Flip6 and Fold7 launch — and the first of its kind on any phone, anywhere.

My Role

Lead Product Designer — owned the end-to-end UX for Photo Assist, from early concept through to production. Worked directly with the Seoul-based tech team to understand model capabilities and constraints, then translated those into a user experience that felt intuitive rather than technical.

End-to-end UXCross-team (Bengaluru ↔ Seoul)AI feature designUsability testing
The Approach

The design process centred on a core tension: the AI could do a lot, but users shouldn't have to know that. I designed the full interaction arc — how users discover the feature within the Gallery, how they apply an edit, how they preview the AI-generated result alongside the original, and how they save or iterate.

Close collaboration with the Seoul tech team was critical. The model had constraints — certain types of edits worked reliably, others didn't. Rather than exposing every capability, I worked with engineering to curate the experience, surfacing what the AI did well and gracefully handling edge cases.

The hardest design decision was what to leave out. A generative model can do a hundred things — the job was to pick the ten that would feel magical and hide the ninety that would feel broken.

Portrait Studio on Galaxy Z Fold — 3D cartoon and oil painting styles preserving facial identity
Key Design Decisions

Discovery within the Gallery — Photo Assist lives where photos already live. Rather than asking users to open a separate editing app, the feature is surfaced contextually when browsing photos, reducing friction to near zero.

Preview-first interaction — Users see the AI-generated edit alongside the original before committing. This builds trust in the AI and gives users a sense of control over an otherwise opaque process.

Constraint-led curation — Instead of exposing the full range of the generative model, the UX presents a curated set of edits matched to the specific photo. This kept the experience reliable and prevented the "uncanny valley" moments that erode user trust in AI.

Impact

First of its kind — launched as the first commercial generative photo-editing experience on any smartphone, debuting on the Galaxy Z Flip6 and Fold7.

Employee of the Year — awarded Samsung SRIB's highest individual recognition for the impact and quality of the work.

Established the playbook — the interaction patterns and design principles from Photo Assist became the foundation for subsequent AI editing features, including Instruction-Based Editing on the Galaxy S26.

🔒 Some details of this project are under NDA. Happy to discuss the design process further in conversation.
2025–2026
Shipped
Samsung SRIB

Instruction-Based Editing with AI Suggestions +

Co-led UX for a natural-language photo editing system on Galaxy S26 — letting users edit images by describing what they want. Part of a unified visual experience strategy with features extending to Fold8.

Galaxy S26Launched
Fold8Next release
The Challenge

Photo Assist proved users wanted AI editing. The next question: what if users could just describe what they want? Designing a natural-language interface for photo editing that felt intuitive to casual users while being powerful enough for those who wanted precision.

My Role

Co-lead Product Designer — shaped the interaction model for instruction-based editing and AI-suggested edits. Extended the design foundation laid by Photo Assist into a more expressive, language-driven paradigm. Also contributed to the broader "Capture → View → Edit → Manage → Share" experience strategy.

Impact

Shipped on Galaxy S26. Remaining features slated for Fold8 — a multi-cycle product shaped from the ground up.

Natural-language photo editing on Galaxy S26 — describe the edit, AI generates it
🔒 Some details of this project are under NDA.
2023
Shipped
Samsung SRIB · Seoul

Portrait AI Styling · Sketch-to-Image +

Two firsts for Galaxy. Portrait AI — first mobile feature to retain facial identity during style transfer. Sketch-to-Image — Galaxy's first draw-to-generate experience. Selected for a residency at Samsung UX HQ in Seoul.

2 firstsFor Galaxy
12+ stylesScaled system
Seoul HQOn-site residency
The Challenge

Two distinct challenges, one shared principle: make AI generation feel personal, not generic. For Portrait AI, the core problem was style transfer that doesn't destroy what makes a face recognisable. For Sketch-to-Image, turning rough drawings into polished visuals without making the user feel like the AI did all the work.

My Role & Approach

Lead Product Designer — designed the prompt systems for Portrait AI, scaling across 12+ visual styles while preserving facial identity. For Sketch-to-Image, designed the drawing-to-generation flow.

Selected as one of a small number of Bengaluru designers for an on-site residency at Samsung UX HQ in Seoul to co-develop both features directly with the research team.

Also developed a cross-cultural design framework for AI face features — addressing global facial markers and cultural sensitivity — adopted by the Seoul research team as standard protocol.

Sketch-to-Image — a rough drawing becomes a photorealistic object matching the photo's mood
🔒 Some details of this project are under NDA.
2022
Shipped
Samsung SRIB

Samsung × Snapchat Fun Mode +

A partnership feature embedded into Galaxy A-series cameras. Designed the integration UX and lens qualification guidelines. The feature crossed 2 billion interactions.

2B+Interactions
2 featuresAdopted next release
The Challenge

Embedding a third-party experience (Snapchat Lenses) inside Samsung's native camera without it feeling foreign. The A-series audience skews younger — the experience had to feel native to Samsung while leveraging Snapchat's creative engine.

My Role & Approach

Designed the integration UX and established safe-zone guidelines for lens qualification. Proposed two features — Favoriting Lenses and Personalised Lenses — both adopted into the next release cycle.

Impact

Surpassed 2 billion cumulative interactions. The two proposed features shipped in the subsequent release, proving the design thinking extended beyond the initial launch.

Fun Mode AR lenses and the Samsung Mobile Press milestone — 2.5 billion interactions
2020–Present
Shipped
Samsung SRIB

Samsung Camera · One UI 5.0 → 9.0 +

Five generations of Samsung Camera UI across One UI — owning visual specs, GUI/UI guides, and production handoffs with offshore engineering in China. Spans 6 form factors across the full Galaxy lineup.

5 gensOne UI 5–9
6 form factorsFull device range
India · ChinaCross-border teams
The Challenge

Samsung Camera ships across S-series, Fold, Flip, Triple Fold, and Tablets — each with different screens, aspect ratios, and hardware. Maintaining a coherent, high-quality camera UI across all of them, over five OS generations, is an exercise in systems thinking.

My Role

Owned the full production pipeline: visual specs, GUI/UI documentation, design system guides for A & M-series, testing, and offshore dev handoffs with China. In parallel, redesigned the Magnifier accessibility app across all six form factors and defined the Expert Raw Sky Guide design system — a visual language for Samsung's pro photography app covering planets, stars and constellations.

Expert Raw Sky Guide — constellation identification UI and astrophotography output
🔒 Some details of this project are under NDA.
2021–2023
Innovation
Samsung SRIB

AI Video Editing · Photo Editing · Creator's Camera +

Three AI-native concepts explored over two years. None shipped in their original form. But they shaped what came after.

3 conceptsExplored
Roadmap influenceShaped what shipped next
What These Were

Three separate innovation explorations: an AI video editing suite aimed at making pro-level video edits accessible, an AI photo editing pipeline that predated Photo Assist, and a Creator's Camera mode designed for content creators who needed quick, polished output.

Why They Matter

None shipped as originally conceived — but they weren't failures. The AI photo editing pipeline directly informed the design principles behind Photo Assist. The Creator's Camera exploration shaped Samsung's understanding of their pro-sumer audience. And the video editing work built a foundation of AI interaction patterns the team continues to draw on.

Showing unshipped work is a deliberate choice. These projects represent the kind of thinking that only comes from exploring without a guaranteed outcome — and that thinking is present in everything that did ship.

2018 – 2020
Infosys
Product Designer
  • Delivered BHP B2B e-Commerce mobile app in 3 months; established atomic design system adopted across the engagement.
  • Redesigned Deutsche Bank B2B FinTech portal and auditing platform — identified scope gaps that unlocked 2 additional billing streams for Infosys.
  • Early-enrolled in RISD Strategic Design Program within 9 months (standard eligibility: 2 years).
2016 – 2018
Internships
Early Experience
Cafe Coffee Day— Print, packaging, branding & typographic mural design
Kamalan— Early-stage startup — end-to-end product design for live users
Faagio— Early-stage startup — UX research and interface design
03Recognition

Work that got
noticed.

Employee of the YearPhoto Assist — Samsung SRIB
CX Trail BlazersPersonalization Task Force — Samsung
Star of the QuarterPortrait Studio AI — Samsung
Spot Award ×2Expert Raw Sky Guide · Magnifier & Fun Mode
Typoday 2020 — 1st PlaceLogo Design · National Typography Conference
UX India 2019 — Runner UpDesign × Social Challenge
04Education
M.Des — Visual & Interaction Design
IIITDM Jabalpur
2018 – 2020
BFA — Visual Communication
College of Art, Delhi University
2014 – 2018